I started designing for quantum computing in 2019, when its design culture was still emerging. Since then, I've co-founded Quantum Flytrap, built interfaces used at Oxford, Stanford, and NYU, and now lead design at Classiq. I partner with companies and research institutions, both hands-on and at a leadership level.
Virtual Lab
Quantum Computing
In 2019, I joined the Centre for Quantum Technologies (National University of Singapore) as a visiting designer, where we created an educational game to teach quantum physics. This sparked the co-founding of Quantum Flytrap, which developed no-code quantum interfaces like the Virtual Lab, used to teach quantum information at Oxford, Stanford, and NYU.
In 2022, I led the design and development of Pulser Studio, a visual programming platform for neutral atom QPUs, built for Pasqal. I also collaborated with Xanadu and Pennylane on an open-access quantum dataset library for quantum machine learning.
Currently I'm Head of Design at Classiq, a quantum software company. I lead a design team and own the end-to-end design of their quantum algorithm development platform, building interfaces that help engineers and researchers work with complex quantum circuits intuitively.
I also serve on the Advisory Board of the Unitary Foundation, supporting the open-source quantum computing ecosystem.
Creative Technology
My work extends beyond quantum computing into broader creative technology, an area that sharpens how I think about novel interfaces and human-computer interaction.
I co-created an AI-focused experience showcased at Ars Electronica, and participated in an invitation-only project by the MIT Media Lab exploring intersections of music, play, and technology. At Jankiewicz Studio, we designed creative technology installations, including work commemorating science fiction author Stanislaw Lem, and built an interactive electronic installation used in the theater project Roja.
I also lectured at the Creative Coding Department at SWPS University in Warsaw, teaching students to build experimental projects using code and technology.
Facade of the POLIN Museum, image source
Design Direction
Before focusing on quantum computing, I built a broad foundation in design leadership, co-founding Jankiewicz Studio with Klara Jankiewicz, who now leads the practice. Together, we created projects, products, and experiences for major cultural institutions, including a permanent pattern design for the entire facade of the POLIN Museum of the History of Polish Jews.
I've also worked as a designer and branding consultant for UC Irvine, Hebrew University, the Polish Presidency of the EU Council, and JW3 London. My work has been featured at design events worldwide, including ICFF New York, 100% Design London and Tokyo, New York Maker Faire, and Seoul Design Week.
